The Godfather: 1972

I had seen The Godfather before, back when I was in grad school in a film class, and at the time, I didn't really like the film. I wasn't sure what I expected at the time, but for whatever reason, I thought the film was too long and didn't really have a unique story to tell. What I realized as I watched the film again, though, is that while the story may not be particularly unique, the way it is told is the power of the film. The actors are convincing in their roles, and I appreciate Brando's portrayal as the Godfather more now that I've seen more of his other work (including On the Waterfront, which was an earlier Best Picture winner). Coppola's decisions with shots and music effectively and dramatically convey the family dynamics, suggesting that while Michael wants to be separated from his family, he cannot help but being pulled in.

One scene that stood out to me during this viewing was when Don Coreleone tells Michael that he never wanted him to be in the family business.

The moment is sweet. Coppola's decision to start the scene with two-shots as Vito gives advice to Michael keeps the talk focused on business, but as the scene progresses, Coppola zooms in and uses close-ups. To further emphasize Vito's agitation with having Michael in the business, Vito begins walking around as he talks. Through this scene, the audience better understands Vito's love for his son and for his family. His whole life may have been one of crime, but he believes he did everything for his family. It's these scenes in the film, including Sonny trying to take care of his sister and seeking revenge on her husband, that make me realize that while the story deals with organized crime, it can be seen more as a movie about family and what we're willing to do for our families. Through this lens, I find I like The Godfather a lot more than I did the first time.