Later, this exchange between Richard and More becomes significant in More's downfall in court. Richard becomes the embodiment of politics, always seeking a better situation through deceit, bribes, and deals.
What impressed me most is how Scofield maintains an even keel as More. Scofield captured More's steadfastness, and in doing so, Scofield makes the film better, possibly even making up for Orson Welles as Cardinal Wolsey:
Welles is laughable at times in his role. His face grows redder and redder as his main scene with More, and it's difficult to know if that was intentional on Welles' part or if he was just overheating in his costume. The latter seems more likely.
I guess my question about why this film won an Oscar is more about how does this film reflect its time? The film was released in 1966, only three years after the assassination of President Kennedy, a man people greatly respected and honored. But it seems a stretch to say that More and Kennedy are similar. More seems more saintly than Kennedy, who had some scandals in his past (although those may have come out much later). Perhaps at the time, this film was what America needed, a film about being honest and true to one's own beliefs and faith.